Rore/ Schmelzer - Portrait of the Artist As a Starved DogRore Schmelzer Portrait of the Artist As a Starved Dog

He had no real concept for how the overall film would turn out as there were very few precedents in existence at the ime and relied only upon his personal intuition and keen eye for cinematic nuance

Sincerely yours

Now the "Grande Nation" had to prove itself anew and find a new self-image

Hellbound Glory - Pure Scum

Keith Crier and Paul Service

starting by playing cover songs and then introducing their original tracks into their set

works which were probably originally written for the harpsichord because of the high register of their solo parts

restored 4K digital transfer of Cronenberg's 1970 feature Crimes of the Future

Phil Thomas on drums and Harold Ashby on tenor sax

the recording links three different composers' biographies

Rózsa himself remarked that 'in 1948

it is a songbook of life's lessons offering an expansive perspective as it navigates personal shadows between darkness and light